Peter Bart: Filmmakers Quietly Await Hollywood’s Greenlight On A Trumpian Era ‘All The President’s Men’
The two biggest box office hits of the moment, Michael and The Devil Wears Prada 2, are unique as “period flashbacks”; they are, at once, of the present and the past. Could they be the model for a new genre? If so, would filmgoers revisit that model for an updated All the President’s Men? Fifty […]
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