The Generation That Got Stuck in Lockdown

Andrew Martin’s characters tend to be overeducated and underemployed. Theoretically engaged in some kind of creative practice, they’re more likely to produce aspirations (“he would read and write more, lose some weight, buy better clothes, find a nicer apartment …”) than anything resembling art. In lieu of a steady occupation, they fill their time with self-destruction, principally by ingesting illicit substances, pursuing ill-fated romances, or, whenever the opportunity presents itself, doing b...