The Electric Kiss review – belle époque seance comedy struggles to summon real magic
Pierre Salvadori’s whimsical period farce about a fake medium and a grief-stricken painter has charm and elegance, but its romantic fantasy never quite ignitesThis year’s Cannes menu begins with something left over from the sweet trolley: a gooey, glutinous and slightly flat confection, a comedy about art for which not everyone has the palette or the palate. A fake spiritualist at the time of France’s picturesque belle époque pretends she is in contact with the dead lover of a grieving and creat...
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