The 6 Best Crime Books Released Since 2020, Ranked

There are crime books you recommend because they are smart, and then there are the dangerous ones where you start sounding personally invested in whether another human being reads them. You bring them up twice. You send the title later. You ask, a week afterward, whether they started it yet. That is the level here. These books create the slightly embarrassing need for somebody else to understand why a certain character, betrayal, neighborhood, or terrible decision has been living in your head. And modern crime fiction has been ridiculously good at giving the crime itself less power than everything surrounding it. Family shame. Race. Class. Old masculinity. Community loyalty. The version of yourself you thought you had escaped. These six contain murders, scams, disappearances, cops, and more. The reason I would push them into somebody’s hands is everything those crimes uncover. 6 'Razorblade Tears' (2021) Image via Flatiron Books/ Headline Publishing Group Razorblade Tears is about Ike Randolph and Buddy Lee, two ex-con fathers who hunt the people responsible for murdering their married sons after both men are forced to confront how badly they failed to accept those sons while they were alive. Their partnership begins with grief and guilt before becoming an extremely violent investigation through Virginia’s criminal underworld. That emotional setup gives every act of revenge an ache underneath it. Ike and Buddy can break bones, threaten people, follow criminal contacts, and do all the things men like them understand far better than talking about regret. The problem is that killing the murderers cannot change what their sons heard from them while they were alive. S. A. Cosby keeps forcing both fathers back toward that truth. I love the book for refusing to make redemption convenient. These men are trying to become better fathers after fatherhood has already been taken away from them. That is a brutal engine for a thriller. 5 'The Thursday Murder Club' (2020) Image via Viking Press The Thursday Murder Club follows four residents of a peaceful English retirement community who spend Thursdays discussing unsolved crimes until the murder of a local property developer finally gives them a real case to investigate. Elizabeth, Joyce, Ibrahim, and Ron immediately start using old careers, friendships, persistence, and the social invisibility of being elderly to get themselves much closer to the truth than anyone expects. The lovely surprise is how little the book needs cynicism to feel intelligent. Joyce can be wonderfully ordinary one minute and quietly devastating the next. Elizabeth clearly has a past she does not intend to explain all at once. Death is everywhere because these are people old enough to have lost spouses, friends, health, and versions of their own lives, yet Richard Osman never treats age as a running tragedy. The murder mystery keeps you turning pages. The reason you end up wanting another book is that these four start feeling like people you enjoy visiting. 4 'Small Mercies' (2023) Image via Harper Large Print Small Mercies follows South Boston mother Mary Pat Fennessy after her seventeen-year-old daughter Jules disappears during the volatile summer of 1974, the same night a young Black man is found dead, pushing Mary Pat into a search that leads toward the neighborhood’s Irish mob and the racism surrounding Boston’s school-desegregation crisis. Mary Pat is the reason this book grabs you by the throat. She is hard, prejudiced, exhausted, grieving a son she already lost to drugs, and absolutely unwilling to accept people telling her to stop asking questions. Lehane lets her discover that the neighborhood loyalty she has spent her life respecting comes with conditions, especially once her questions become inconvenient to powerful men. The anger keeps changing shape as she learns more about Jules, Auggie Williamson, and herself. I would recommend this one with a warning. You are probably going to get furious. That fury is part of the experience. 3 'Harlem Shuffle' (2021) Image via Doubleday Harlem Shuffle centers on Ray Carney, a respectable furniture salesman in early-1960s Harlem whose occasional habit of fencing stolen goods becomes much more serious after his cousin Freddie volunteers him to help unload the proceeds from a robbery at the Hotel Theresa. That one favor pulls Ray deeper into gangsters, corrupt cops, thieves, and the machinery of Harlem that he has spent years trying to live beside without fully joining. Ray is such a great crime protagonist because crooked is never a switch he simply flips. He has a store to run. Installment payments to collect. A wife and children to support. In-laws who already think he is beneath them. Then Freddie walks through the door with another catastrophe. Colson Whitehead understands how tempting compromise becomes when every compromise can be explained as temporary. And Harlem itself never feels like scenery waiting for a robbery to happen. Businesses open and disappear, neighborhoods shift, money moves, riots erupt, old power structures adapt. You finish the book feeling like Ray’s double life belongs to the city’s economy as naturally as the furniture in his showroom. 2 'The Hunter' (2024) Image via Viking Press The Hunter returns to retired Chicago detective Cal Hooper in rural Ireland, where the peaceful life he has built with Lena and teenager Trey Reddy is threatened when Trey’s long-absent father Johnny comes home with an English millionaire and a dubious plan to find gold in the area, while Trey begins quietly pursuing revenge of her own. The tension here is beautifully mean because Cal understands danger before he can prove exactly where it is coming from. Johnny is charming enough to make people listen. The gold story gives the village something exciting to believe. Trey is old enough to make decisions and young enough to terrify Cal with the decisions she might make. So he spends much of the novel doing a very different kind of detective work from his police years. He watches. He listens. He tries to protect somebody who does not want protection. Tana French makes the village feel so lived-in that one wrong rumor can carry almost as much force as a gun. Read The Searcher first if you can. The Hunter hurts more once you understand how hard Cal fought for this little bit of peace. 1 'All the Sinners Bleed' (2023) Image via Flatiron Books All the Sinners Bleed follows Titus Crown, the first Black sheriff of Charon County, Virginia, as a school shooting leads him toward evidence of a serial killer hiding inside his community while he is also dealing with a far-right group preparing a Confederate-history parade and secrets from his own past. This is the book I would hand someone who thinks a crime novel has to choose between being propulsive and having something serious on its mind. Titus is a terrific sheriff partly because being right does not make his job simpler. He has to investigate people he knows, lead deputies who do not all understand him, face racism without allowing anger to wreck the case, and confront the role religion can play in both comfort and cruelty. Cosby still gives you the hunt, the dread, the violence, the awful discoveries. But Titus carries all of it home with him. That is why the book sticks. Catching a killer is one problem. Remaining the person you wanted to be while doing it is the harder one. Collider Exclusive · Villain Personality Quiz Which Criminal Mastermind Would Be Your Nemesis? Lecter · Joker · Moriarty · Chigurh Four of the finest criminal minds ever put on screen. One of them would look at you and see something worth their time. Eight questions decide which one comes for you, why they picked you, and what they would want when they arrived. 🍷Lecter 🃏Joker ♟️Moriarty 🪙Chigurh MEET YOUR NEMESIS → 01 What would a criminal mastermind notice about you first? Great villains choose their opponents carefully. Something about you got their attention. AMy manners, and everything I am careful not to say. BThat I still believe people are basically decent. CThat I am clever, and quietly enjoy proving it. DThat I handle things myself, and always have. NEXT QUESTION → 02 How do they make first contact? The introduction tells you everything about what is coming next. AA polite letter. Beautiful handwriting. Quietly wrong. BSomething on fire, with a message left beside it. CA puzzle, left where only I would look. DNo contact. Just the aftermath, and a coin. NEXT QUESTION → 03 What do you actually believe about right and wrong? Every nemesis is really an argument about the thing you believe most. AThere are lines. Mine are private and absolute. BRules are the only thing keeping us from being animals. CMorality is a system, and systems can be solved. DThings happen. Most of it was never up to me. NEXT QUESTION → 04 What finally gets under your skin? Everybody has a pressure point. Finding yours is the whole plan. ABeing seen clearly by somebody I cannot read. BWatching good people do something ugly. CLosing to someone who was simply better prepared. DHaving no move left that changes anything. NEXT QUESTION → 05 They have made their move. How do you fight back? This is the part of the film where the audience finds out who you are. ACarefully, and never where they expect to be touched. BLoudly. I would rather lose than play their game. CWith a better plan. I can out-think this. DDirectly, once, with whatever is closest to hand. NEXT QUESTION → 06 What would they use against you? A good villain never brings a weapon you have not already handed them. AMy privacy. I have kept far too much to myself. BMy conscience. I will not cross the line they want. CMy ego. I cannot resist a worthy opponent. DMy certainty that I can handle it alone. NEXT QUESTION → 07 What do they actually want from you? The money is never the point. Something else always is. ATo understand me better than anyone ever has. BTo prove I am no better than they are. CTo finally be beaten by someone worth the trouble. DNothing at all. I stepped into the wrong path. NEXT QUESTION → 08 How does it end between the two of you? Eight questions in, this is the one that decides who comes for you. AA conversation I will be replaying for years. BA choice forced on me that has no clean answer. COne final move, and the better mind wins. DA coin in the air, and nothing I can say. REVEAL MY NEMESIS → The Case File Is Complete Your Nemesis Is…Four criminal masterminds. One of them was always going to be yours. Here is who comes for you, why they picked you out of everyone available, and what they want from the encounter. Hannibal LecterYour nemesis does not want to beat you. He wants to know you completely, and he is patient enough to wait for it. The frightening part is how good the conversation is. Lecter is the most dangerous kind of opponent: the one who finds you interesting. He never raises his voice, because he has never needed to. You keep a great deal to yourself and you are careful about what you show. That reserve is exactly the door he would knock on. The films understood something other thrillers missed. The horror is not the violence. It is being perfectly understood by the wrong person. He would be unfailingly polite about all of it. That is the worst part. The JokerYour nemesis is not after money, territory or revenge. He is after a demonstration, and you are the person he has chosen to prove his point on. The Joker only picks opponents who believe in something. Your decency is not a defence against him. It is the entire reason he showed up. He has no plan you can predict and nothing you can take away, which removes every tool you would normally reach for. His whole argument is that you are one bad day away from being him, and you would spend the rest of your life proving him wrong. He would call it a magic trick. You would call it the worst night of your life. MoriartyYour nemesis respects you, which sounds flattering until you work out what it means. He chose you because nobody else was worth his time. Moriarty is the original criminal mastermind, the template every later one borrows from: a mind the equal of the hero's, pointed the wrong way. You enjoy being the cleverest person in the room. He is counting on exactly that, and he has already built the room. This is the rare nemesis who would be genuinely disappointed if you lost badly. He needs the game to be worth playing. It ends the way these things always end. Two people, one problem, and only one way down. Anton ChigurhYour nemesis has no personal interest in you whatsoever, and that is precisely what makes him unsurvivable. You are not a rival. You are a stop on the way. Chigurh does not negotiate, gloat or explain. He arrives, he asks one question, and the answer was decided long before you opened your mouth. You trust yourself to handle things. He is the one problem in the world that has no interest in how capable you are. No Country for Old Men rewrote the screen villain by removing the thing audiences quietly rely on: the sense that talking might work. Call it. He will wait. ↻ RETAKE THE QUIZ