Only 10 Action Movies From the '80s Are Truly Perfect From Start to Finish

Only 10 Action Movies From the '80s Are Truly Perfect From Start to Finish

Image via 20th Century Studios Published Sep 22, 2026, 12:45 PM EDT Diego Pineda has been a devout storyteller his whole life. He has self-published a fantasy novel and a book of short stories, and is actively working on publishing his second novel. A lifelong fan of watching movies and talking about them endlessly, he writes reviews and analyses on his Instagram page dedicated to cinema, and occasionally on his blog. His favorite filmmakers are Andrei Tarkovsky and Charlie Chaplin. He loves modern Mexican cinema and thinks it's tragically underappreciated. Other interests of Diego's include reading, gaming, roller coasters, writing reviews on his Letterboxd account (username: DPP_reviews), and going down rabbit holes of whatever topic he's interested in at any given point. Sign in to your Collider account Cinephiles tend to agree that it was the 1980s that saw the Golden Age of action cinema. How could it possibly be any other decade? It was the '80s that marked the peak of practical stunts, the rise of larger-than-life stars, the explosion of gun fu in Hong Kong, and the arrival of some of the greatest action filmmakers in the history of Hollywood. But while the decade saw the release of several of the greatest action movies the world has ever seen, there are only a particular 10 masterpieces that can be said to be truly and genuinely perfect from start to finish. These really are the pinnacle of action cinema, a testament to just how faultless the genre can really be when in the hands of a talented enough team. Regardless of budget, subgenre, or country of origin, these masterpieces are about as close as cinema can come to perfection. 10 'RoboCop' (1987) Image via Orion Pictures There are few genuinely perfect sci-fi action movies, and there's a strong argument to be made in favor of Paul Verhoeven's RoboCop being one of them. The Dutch auteur began his careerin his native Netherlands, but it was RoboCop, only his second-ever Hollywood feature film, that established him as one of the town's biggest master satirists. It has almost been four decades, and this is still remembered as one of the best satire films of the 20th century. Indeed, the film's exaggerated (and occasionally quite amusing) critique of corporate greed, the media, and Reaganomics have all aged like fine wine. But on top of being thematically sharp, RoboCop's high-octane, brutally violent action make it one of the most thoroughly fun films of the '80s. From Verhoeven's subversive direction, to the stunning visuals, to the hyper-kinetic editing, RoboCop is an action spectacle that must be seen to be believed. 9 'Akira' (1988) Image via Toho Directed by Katsuhiro Otomo and based on his own 1982 manga, Akira is proof that animated cinema—animated action cinema being no exception—is every bit as capable as live-action cinema of reaching perfection. This iconic '80s cult classic helped massively popularize anime cinema among Western audiences, and all these many years later, it's still widely remembered as one of the best Japanese animated masterpieces of all time. For one, the bright hand-drawn animation is some of the most impressive that the big screen has ever seen, and many of Akira's most memorable shots have become surprisingly influential over the years. Add to that a delectably bombastic score, relentlessly kinetic pacing, and some of the most brutally entertaining action that animated cinema has ever seen, and you get one of the best animated epics in movie history. 8 'Police Story' (1985) Image via Golden Harvest It wouldn't be until around the late '90s that Jackie Chan would become a bona fide international superstar, but he became a major figure in Asia well before that. It was all thanks to his work in the vibrant action cinema scene of his native Hong Kong, which absolutely boomed during the '80s. From this boom came Police Story, which some may point to as Chan's single greatest film. Best-known for the jaw-dropping death-defying stunts carried out by Chan himself, Police Story is an absolutely masterful action thriller for all sorts of other reasons as well. It's far and away one of the best Hong Kong martial arts movies of the 1980s, full of unforgettable set pieces and physical comedy that would make Buster Keaton blush. For people who love action movies that are thin on the story, immensely heavy on the action, this one's a must-see. 7 'Aliens' (1986) Image via 20th Century Studios There are plenty of classic action movies that are still a must-watch today, and James Cameron's Aliens is undoubtedly among them. Where Ridley Scott's Alien completely revolutionized sci-fi horror, Cameron's sequel added an action thriller dimension to the series, delivering one of the most unforgettable action epics that the big screen has ever seen. With Aliens, Cameron only further enshrined his reputation as a true visionary. A whopping four decades later, this outer-space action extravaganza is still one of the most technically impressive and irresistibly entertaining blockbusters of the '80s, the sort that anyone who loves science fiction should check out at least once in their lives. Tense, atmospheric, full of emotional depth, and fueled by the gravitas of Sigourney Weaver's Oscar-nominated powerhouse performance, it really is one of the greatest Hollywood blockbusters in the history of the action, horror, or science fiction genres. 6 'The Killer' (1989) Image via Golden Princess Film Production Great though Police Story may be, it's John Woo's The Killer that's almost universally recognized as the greatest action film to have come out of Hong Kong during the '80s. Woo re-defined the heroic bloodshed genre—dramatic action films focused on themes of honor and crime—with his pioneering work in gun fu, a genre all about blending martial arts and gunplay. Those looking to dive into his work may as well start with the absolute cinematic perfection of The Killer. For a wide variety of reasons, it's one of the best heroic bloodshed masterpieces in movie history. The gun fu choreography is some of the most viscerally intense and exquisitely stylized ever seen on the big screen; the visuals are some of the most unforgettable in Woo's whole filmography; and the deep emotional core provided by the story, a surprisingly compelling and complex tale of honor and redemption, is far better than what you typically see in the genre. Collider Exclusive · Action Franchise Quiz What Action Series Would You Thrive In? Wick · Fast · Mission · Die Hard Four franchises. Four completely different ideas of what a hero is: the assassin with a code, the family that never leaves anyone behind, the man who does his own stunts, and the guy who simply refuses to die. Only one of them runs on your particular brand of trouble. Eight questions will tell you which one you would survive. 🐕Wick 🏁Fast 🧨Mission 🎄Die Hard FIND YOUR FRANCHISE → 01 How does a room know you've walked into it? Every action hero arrives differently. Some of them arrive before they arrive. ASomeone recognises me, and the temperature in the room drops without a single word being said. BLoudly and warmly. I arrive with my people, and we're already laughing about something. CI'm the one who told everybody where to stand. I walked this room twice before anyone else arrived. DBy accident. I wasn't supposed to be here, and now I'm the only one who can do anything about it. NEXT QUESTION → 02 It turns physical. What does your fighting actually look like? Choreography is character. Yours says something about you. AEconomical and devastating. Trained technique, no wasted motion, finished before most people notice it started. BLoud, heavy and weirdly joyful. I'm not elegant, I hit like a truck, and I always have backup. CTo plan, until the plan breaks. Then I improvise at full sprint and refuse to stop moving. DBadly, honestly, and with a lot of swearing. I take more damage than I deal and I still don't go down. NEXT QUESTION → 03 Who is standing beside you when it starts? Some franchises are built on a team. Others are built on one person walking in alone. ANobody. I have contacts, favours and people who owe me, but when it begins I work alone. BEveryone. My people are the entire point, and I'd trade the whole mission for any one of them. CA small hand-picked team I trust completely, and I'd still take the worst part of the job myself. DA voice on the other end of a radio and a building full of people who don't know I exist. NEXT QUESTION → 04 It has gone badly wrong. What keeps you upright? Act two exists to find out what you're actually made of. AFocus, commitment and sheer will. Grief is fuel if you point it in the right direction. BThe people counting on me. I don't appear to have a limit when it's family on the line. CRefusing to accept the odds. Somebody has to do the impossible part, and it's going to be me. DSpite, mostly. And a growing sense that these people picked the wrong building. NEXT QUESTION → 05 There's a vehicle. What are you driving, and how? No action franchise has ever survived without a car chase. This one is yours. AA black muscle car I am unreasonably attached to, and I will dismantle an entire empire over it. BSomething impossibly modified, at impossible speed, off an impossible ramp. Physics is a suggestion. CA motorbike at full throttle through a city I memorised last night. And then off a cliff. DA borrowed car, badly, while somebody in the passenger seat politely asks me to slow down. NEXT QUESTION → 06 How do you feel about the people giving the orders? There is always an institution. There is rarely a good one. AThere are rules and I respect them absolutely, right up until somebody breaks one against me. BI don't take orders. I take care of people, and everything else tends to sort itself out. CI serve the mission, not the memo. If my people are in danger, the orders come second. DThey're in a van outside telling me what I'm doing wrong while I'm the one bleeding on broken glass. NEXT QUESTION → 07 Underneath all of it, what are you actually doing this for? The stunts are the reason people come. This is the reason they stay. ASomething was taken from me that can't be replaced, and I've been settling that account ever since. BBelonging. I built a family out of people who had nowhere else, and I'll defend it with everything. CThe conviction that if I stop, people die. I don't know how to hand that to anyone else. DI just wanted to get through the holidays with my family. Everything after that was self-defence. NEXT QUESTION → 08 When the credits roll, what do people say about you? Every franchise is really an argument about what makes someone worth watching. AThat I was a myth people warned each other about in whispers, and that they were right to. BThat I never left anyone behind, the door was always open, and there was always a place at the table. CThat I did the impossible part myself, every single time, and never asked anyone to risk it for me. DThat I was just a guy in the wrong place at the wrong time, who turned out to be very hard to kill. REVEAL MY FRANCHISE → Casting Has Been Completed Your Franchise Is…Four action series. One of them is built around exactly the way you handle pressure, people, and a room that has just gone very quiet. Here is where you would survive the trilogy, and probably headline it. John WickYou are precision with a grudge. You don't posture, you don't escalate, and you don't warn anybody twice. That is exactly why the people who know you are so careful never to be the reason you start. The Wick films run on discipline: an underworld with actual etiquette, a hero who honours every rule of it, and a world that unravels the instant someone breaks one against him. You share that quality. You are extraordinarily reasonable right up to the line, and then completely immovable past it. Focus, commitment and sheer will. You'd be the one carrying grief through three sequels and turning it into technique rather than noise. People wouldn't call you dangerous. They'd say your name quietly and let that do the work. Fast & FuriousYou understand the thing the whole franchise is secretly about: the cars are spectacular, but the crew is the point. You collect people, you keep them, and you'd drive through a building for any one of them. This series went from street racing to orbit without ever changing its actual subject, because loyalty scales and plot doesn't have to. You have the same instinct. You build a family out of whoever turns up, and then you defend it past the point of reason. You'd thrive here because the franchise rewards exactly your strengths: warmth, nerve, an absolute refusal to leave anyone behind, and a relaxed relationship with physics. The mission can wait. The barbecue cannot. Mission: ImpossibleYou over-prepare and then take the dangerous part yourself anyway. It looks like control, but it's really responsibility. You have never worked out how to ask somebody else to carry the risk. This is the franchise of the plan that collapses on schedule: the team, the mask, the rooftop, and the one person sprinting flat out because sprinting is all that's left. You share that refusal to accept an outcome. Told the odds, you treat them as an administrative error. You'd thrive here because these films reward competence and loyalty in equal measure. The mission matters, but nobody on the team gets left on the wrong side of a door. Some people delegate the cliff. You have never once been that person. Die HardYou are not the most trained person in the building, the best equipped, or the one anybody would have picked. You are simply the one still standing at the end, which turns out to be the only qualification that matters. Die Hard invented the modern action hero by making him mortal: outgunned, out-planned, bleeding, and extremely funny about it. You share that stubbornness. Adversity doesn't make you noble, it makes you sarcastic, and then it makes you unstoppable. You'd thrive here because these films reward improvisation and nerve over preparation, and you've never had the luxury of preparing anyway. You didn't want any of this. You just declined to be the person who let it happen. ↻ RETAKE THE QUIZ 5 'Die Hard' (1988) There are those who may point to Die Hard as not only the greatest action film of the 1980s, but even of all time. It's hard to disagree with them. Directed by John McTiernan, one of the biggest and most important filmmakers in the genre's history, this (technically) almost single-location blockbuster is one of the most perfect action thrillers in film history. Anchored by the absolutely perfect performances delivered by Bruce Willis and Alan Rickman, Die Hard strikes a perfect balancing act between hugely compelling and technical action, psychologically deep character writing, a fun story, and tons of heart. With John McClane being one of the most perfect action heroes in film history and Hans Gruber one of the most perfect villains, what's not to love? 4 'Raiders of the Lost Ark' (1981) Image via Paramount Pictures By the time the '80s rolled in, Steven Spielberg was already a very well-established name in Hollywood, nowadays recognized as the father of summer blockbusters. There was nowhere to go but up for him, and up Raiders of the Lost Ark certainly sent him. It was this timeless classic that really cemented him as one of the most revered, reliable, versatile, and commercially successful blockbuster filmmakers on the planet. It's still one of the most fun movies in Spielberg's filmography, and it has a strong claim to the title of most iconic action film history. In the hands of Spielberg and Harrison Ford, not only did Raiders of the Lost Ark introduce the world to one of the most iconic characters in movie history, but also to several of the most irresistibly entertaining action set pieces ever, as well as one of the most fun plots the genre has ever seen. 3 'The Empire Strikes Back' (1980) Image via 20th Century Studios There are few fantasy masterpieces that are perfect from start to finish, and it just so happens that one of them is also one of history's most iconic science fiction blockbusters. Indeed, after the science fantasy spectacle that was 1977's Star Wars, expectations for its sequel were sky-high. Even though The Empire Strikes Back wasn't nearly as successful as its predecessor back in 1980, time has been nothing but kind to it. Today, many remember it not only as the peak of the franchise, but as perhaps the best science fantasy film of all time. On top of being an enrapturing fantasy epic and a hugely imaginative sci-fi space opera, The Empire Strikes Back is also one of the most fun action movies that the world has ever seen. From its vividly-realized lightsaber fights, to its riveting outer-space dogfights, to its many engrossing chase sequences, each and every one of its action scenes is both iconic and compelling. Rarely has history seen a better genre film. 2 'Indiana Jones and the Last Crusade' (1989) Image via Paramount Pictures Raiders of the Lost Ark took the world by storm, and Indiana Jones and the Temple of Doom did great at the box office despite a somewhat mixed critical reception. Then, Indiana Jones and the Last Crusade went on to earn back critics' favor and make even more money than both its predecessors. The years have passed, and many Steven Spielberg fans have woken up to the fact that not only is Last Crusade one of the best adventure movies in film history, but perhaps even Spielberg's best-ever action blockbuster. The basis of the whole thing is the off-the-charts chemistry shared between Harrison Ford and Sean Connery, easily one of the most memorable on-screen duos of '80s cinema. Add to that the many jaw-droppingly elaborate action sequences, the old-school yet irresistibly delightful plotting, and many of the best set pieces Spielberg has ever put together, and you get one of the greatest action masterpieces of all time. 1 'Ran' (1985) Image via Toho Better known for his tremendous contributions to the samurai movie genre, Akira Kurosawa is not only a master action filmmaker, but the auteur universally regarded as the greatest filmmaker ever to have come out of Japan. Though not a samurai flick, Ran is one of the best historical epics of all time, and one of Kurosawa's many perfect masterpieces. He spent over a decade agonizingly crafting it, visualizing it as the crowning achievement of his entire career. Kurosawa didn't actually get to shoot the movie until he was 75 and legally blind, and yet, Ran is far and away one of the most visually stunning movies in film history. Inspired by Shakespeare's King Lear, it's powerfully dramatic, emotionally gut-wrenching, and delightfully action-packed. Over four decades after its release, it remains arguably the single most perfect feature film of the entire 1980s, action or otherwise. Ran Release Date December 20, 1985 Runtime 160 Minutes Cast Tatsuya Nakadai Lord Hidetora Ichimonji Akira Terao Taro Takatora Ichimonji

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