Chinese art takes long march home from US museums

Chinese art takes long march home from US museums

Christie’s auctioneer Rupert Banner leans forward with practised showmanship as bidding stalls on a rare Yongzheng bowl near New York’s iconic Rockefeller Centre. He pauses as if willing offers from thin air, scanning dozens of in-person buyers and phone banks connecting with China, London, Texas.It will be a bad look if the frenzy abates for this delicate peach-decorated bowl highlighted on Christie’s glossy Chinese sale catalogue and online advertising. But bidding soon resumes with a realised price of US$2.05 million, the sale’s top porcelain result.The bowl is among over 100 items from the Art Institute of Chicago, part of a broader generational transition as rarefied relics amassed by 19th century American Gilded Age “robber barons” return to Chinese hands after gathering dust for more than a century in Western museums.Then it is the turn of lot 1032, an archaistic zun-form vase once owned by finance magnate Charles Schwab. “They’re off and running,” says Banner, before a Chinese man snags it for US$40,960.

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