Image via 20th Century Fox Published Aug 6, 2026, 5:19 PM EDT Jeremy has more than 2700 published articles on Collider to his name, and has been writing for the site since February 2022. He's an omnivore when it comes to his movie-watching diet, so will gladly watch and write about almost anything, from old Godzilla films to gangster flicks to samurai movies to classic musicals to the French New Wave to the MCU... well, maybe not the Disney+ shows. His favorite directors include Martin Scorsese, Sergio Leone, Akira Kurosawa, Quentin Tarantino, Werner Herzog, John Woo, Bob Fosse, Fritz Lang, Guillermo del Toro, and Yoji Yamada. He's also very proud of the fact that he's seen every single Nicolas Cage movie released before 2022, even though doing so often felt like a tremendous waste of time. He's plagued by the question of whether or not The Room is genuinely terrible or some kind of accidental masterpiece, and has been for more than 12 years (and a similar number of viewings). When he's not writing lists - and the occasional feature article - for Collider, he also likes to upload film reviews to his Letterboxd profile (username: Jeremy Urquhart) and Instagram account. He has achieved his 2025 goal of reading all 13,467 novels written by Stephen King, and plans to spend the next year or two getting through the author's 82,756 short stories and 105,433 novellas. Sign in to your Collider account Movies that stand out as especially ambitious and groundbreaking are often epic in length and scale. Being overwhelmed isn't everything, but it helps, if you're looking for films of that kind, though if you want science fiction and horror movies on an epic scale, they're hard to find. Maybe you could argue that parts of 2001: A Space Odyssey are unsettling, and then there are some intense sci-fi epics like Blade Runner 2049 and On the Silver Globe, but none of those examples go into outright horror territory. Sci-fi horror movies don’t usually run all that long, perhaps because horror movies don’t often run for more than a couple of hours. So, ambition here has to be measured in other ways. These sci-fi horror movies are very ambitious, in one way or another, and they're not necessarily the best sci-fi horror movies of all time, yet they're all interesting (and sure, more than a few of them are classics, too… but again, not 100% of them). 8 'Altered States' (1980) Image via Warner. Bros Casually coming right out and saying that Altered States is one of the most hallucinatory and surreal sci-fi horror movies ever made might sound hyperbolic, or bold (hyperboldic?), but no, it really is. The title is not messing around with what it’s suggesting. It’s about a person exploring human consciousness and the idea of reality itself, and pushing himself into increasingly dangerous territory all the while. It might not be well-known enough to have completely revolutionized either the sci-fi or horror genres, yet there are a fair few intensely psychological horror movies that feel at least somewhat indebted to Altered States (like some of David Lynch’s work, Annihilation, and maybe Possessor, too). It’s impressive how strange and unsettling it keeps on getting as it goes along, and it's definitely worth exploring at least once, if you're into psychological horror/sci-fi movies. 7 'The Host' (2006) Image via Magnolia Pictures The Host endeavors to do new things with a well-worn genre: the giant monster (or kaiju) one. And there is at least one sci-fi horror movie about the king of the monsters that'll be mentioned shortly, but for movies about, you know, other monsters, The Host is top-tier. And it’s adventurous on a tonal and genre front, too, because it’s more or less a family dramedy that just so happens to have a giant monster in it sometimes. There’s a dysfunctional family at the film’s center, and the members of that family have to work together (quite chaotically) when one of their own is seemingly captured and taken away by a creature that’s grown out of control because of toxic waste. The Host has that social commentary angle/environmental message to it, too, and an odd sense of humor alongside the action-packed, intense, tragic, and occasionally scary moments. It’s remarkable that it all works so well, honestly. 6 'The Thing' (1982) Image via Universal Pictures Just like that one movie (or movies) about an alien (or aliens), and that other horror movie (plus some sequels) about a shark, The Thing has a very simple title. It’s about a thing from somewhere that’s definitely not Earth, because it’s completely alien and seemingly undefeatable. It hunts down a group of researchers in the Antarctic who are trapped in place because of rough weather, and it can take on the appearance of anything it’s already come into contact with, and taken out. So, everyone gets continually paranoid, not knowing who is genuinely human and who can’t be trusted, sort of like a sci-fi spin on And Then There Were None. The execution of such a simple premise is what makes The Thing feel successfully ambitious, and then the technical strengths of the film help in that regard, too. Even more than 40 years on from release, the special effects more than hold up, and continue to look absolutely incredible. 5 'Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack' (2001) Image via Toho If Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack is not the best Godzilla movie, then maybe it’s the one with the best title. Can you give it that, at least? Eh, who’s being kidded here… Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack is one of the best Godzilla movies. It’s not as enduring or popular as the 1954 original or 2023’s Godzilla Minus One, and maybe Shin Godzilla has a little more by way of popularity, too, but this 2001 film might well be the biggest Godzilla movie. Actually, no, the biggest one is probably Godzilla: Final Wars, which is definitely a sci-fi movie, alongside belonging to some other genres, but horror isn't really one of them. Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack has its foot in the horror genre, to some extent, because Godzilla is especially brutal and intimidating in this particular film, and then it manages to do some ambitious and fresh things with the addition of fantasy/supernatural elements to the usual science fiction stuff. It all makes for a very compelling and high-intensity kaiju movie. 4 'Nope' (2022) With Nope, you have a movie that feels a bit like Jaws, but in the desert, plus it’s something of a giant monster film, and then it’s also a bit of a Western at the same time. It’s all that at once, and it more or less works, all the while having a fairly odd sense of pacing with an uncompromising slow-burn feel to the whole thing. Like, it takes an exceptionally long time to even define what the main threat is. Maybe the Jaws comparison only goes so far, because in that movie, you know it’s a shark early on, but you don’t really see the shark much until the end. Nope has a greater sense of mystery, and it takes its time dishing out certain reveals in an attempt to make the horror more unsettling. It’s an approach that largely works, and it also represented a step-up in ambition and scale for Jordan Peele, who went from Get Out to Us to this one. 3 'Bride of Frankenstein' (1935) Image via Universal Pictures 1931’s Frankenstein was certainly a classic sci-fi horror movie, based on the book of the same name, which itself kind of wrote the book for sci-fi horror stuff generally speaking. That Frankenstein movie was a fairly loose adaptation, though, but there was a part of the book that at least discussed the idea of Frankenstein’s Monster wanting a mate, or a bride, and so Bride of Frankenstein ran with that and expanded upon it. It also had to shake things up a bit after Frankenstein (1931) ended in what felt like a pretty conclusive way, but it genuinely found a good way to continue the story, and build upon the conflict further. It’s right up there among the best and most important sequels in cinema history (of any genre), so for it balancing the source material, doing its own thing, and meaningfully building upon a well-liked original all at once, it ended up being a seriously impressive filmmaking achievement. 2 'Tetsuo: The Iron Man' (1989) Image via Kaijyu Theater There’s some science fiction stuff here for sure, but Tetsuo: The Iron Man is most concerned with delivering especially gnarly horror, and really shouldn't be mixed up with that other Iron Man guy. “Toto, I’ve got a feeling we’re not in the MCU anymore” and all that. It’s about a man who gets infected or cursed (or something) in a way that makes him slowly turn from human to metal, bit by bit. Tetsuo: The Iron Man is nauseating with the way it’s filmed, edited, and stylized. It really manages to feel like a nightmare. Hey, that The Wizard of Oz reference was like a Freudian slip. It makes sense. It’s almost like the backstory of the Tin-Man, but especially brutal and pushed right into horror territory. Also, Tetsuo: The Iron Man is nauseating with the way it’s filmed, edited, and stylized. It really manages to feel like a nightmare, and produces a truly visceral reaction with such a simple premise, a very slim runtime, and what doesn’t look like a particularly high budget, by any means. 1 'Prometheus' (2012) Image via 20th Century Studios The Alien series is definitive, as far as sci-fi horror movies go, with the first movie, directed by Ridley Scott, being a big reason for that. Like, Aliens is the second-best one, or maybe even the best one, being on par with Alien (1979), though it’s lighter on horror elements and has more by way of an action/thriller feel. And then the next two sequels are… interesting? Flawed, but interesting. The most ambitious movie in the series, though, is probably Prometheus. Again, this being ranked here is not a suggestion that the movie is perfect, nor that it’s better than the first two Alien movies, but it takes place within that series while feeling quite disconnected narratively from what had already been seen. It’s got some thematic and visual references, plus alien lifeforms eventually, though it’s also a movie about searching for humanity’s origin, and it grapples with some big ideas while delivering a unique sci-fi world/feel, and some genuinely intense and unsettling horror sequences, too. It’s pretty cool, and the kind of movie that time might well be kind to, in the years ahead. Prometheus Release Date June 8, 2012 Runtime 124 minutes
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