Image via HBO Published Sep 11, 2026, 12:07 AM EDT Dyah (pronounced Dee-yah) is a Senior Author at Collider, responsible for both writing and transcription duties. She joined the website in 2022 as a Resource Writer before stepping into her current role in April 2023. As a Senior Author, she writes Features and Lists covering TV, music, and movies, making her a true Jill of all trades. In addition to her writing, Dyah also serves as an interview transcriber, primarily for events such as San Diego Comic-Con, the Toronto International Film Festival, and the Sundance Film Festival. Dyah graduated from Satya Wacana Christian University in October 2019 with a Bachelor's degree in English Literature, concentrating on Creative Writing. She is currently completing her Master's degree in English Literature Studies, with a thesis on intersectionality in postcolonial-feminist studies in Asian literary works, and is expected to graduate in 2026. Born and raised between Indonesia and Singapore, Dyah is no stranger to different cultures. She now resides in the small town of Kendal with her husband and four cats, where she spends her free time cooking or cycling. Sign in to your Collider account So many thriller books, so little time. When the weekend is all you have, a fast-paced thriller can be the perfect solution. Although some books may look intimidatingly thick, don't be fooled by the sheer number of pages. While slow-burn thrillers leave plenty of room for contemplation, there's another section of the genre that keeps the pace moving without sacrificing quality. These books are packed with characters, storylines, twists, and turns that will keep you hooked long enough to finish the entire thing in 48 hours or less. From an underrated Gillian Flynn favorite to an Agatha Christie-inspired modern take, here are thriller books you can finish in a weekend. 'The Housemaid' (2022) Image via Bookouture It's tough making money these days, but nobody has it harder than Millie Calloway from The Housemaid. After losing her job and struggling to find work because of her criminal record, Millie accepts a live-in housemaid position with the wealthy Winchester family on Long Island. Although the estate is the definition of luxurious, her employers hoard sinister secrets. The Housemaid is relentless with its characters. As a rich family, the Winchesters are experts at keeping up appearances, but the cracks soon start to show. From matriarch Nina's unpredictable behavior to the Italian gardener warning Millie of danger, readers are swept up in the family secrets that slowly spill onto Millie herself. The deeper Millie gets into the Winchester family's affairs, the more unsettling her new job becomes. What initially seems like a quick-and-easy, menial labor job quickly turns into a domestic nightmare, making The Housemaid a sickeningly twisted tale of what happens behind closed doors. 'My Sister, the Serial Killer' (2018) Image via Doubleday Set in Lagos, My Sister, the Serial Killer follows Korede—nurse by day, corpse cleaner by night. The latter is an honest coincidence. Her younger sister Ayoola has a habit of killing her boyfriends, though her third killing was supposedly done in self-defense. Things shake up when Korede discovers that Ayoola's new crush is the handsome doctor Tade, whom Korede is secretly in love with. Despite its gory, crude premise, it's difficult not to chuckle while reading My Sister, the Serial Killer. There's a certain detachment in the way Ayoola treats the severity of her sociopathic behavior, remaining almost completely unserious about the whole thing. Meanwhile, Korede treats each murder as more of an inconvenience than a crime she needs to process fully. This bizarre dynamic between the sisters makes the story darkly funny, even as the situation becomes increasingly difficult for Korede to contain. It's a twisted sisterly bond where murder becomes another family obligation. 'Yellowface' (2023) Image via William Morrow One author's unfinished draft is another author's chance at literary superstardom—at the cost of being haunted. Yellowface introduces struggling white author June Hayward, who witnesses the death of her Chinese-American former classmate, Athena Liu. Instead of sending condolences, June steals Athena's unpublished novel about Chinese laborers in World War I. June then publishes the book under her name, Juniper Song. What June doesn't expect is Athena's "ghost" haunting her through an anonymous account, threatening her success with accusations of plagiarism and cultural appropriation. Yellowface becomes a cat-and-mouse chase as June tries to locate her accuser, spiraling into paranoia as the weight of her guilt swallows her. It's one of those thrillers where readers are no longer rooting for the protagonist. Readers already know June is a bad person, and Yellowface forces them to reckon with the lengths someone like June would go to not only claim a work that's not hers, but also steal the identity and experiences of a person of color. 'The Guest List' (2020) Image via William Morrow A wedding on an isolated Irish island should be romantic, but The Guest List quickly turns the celebration into a nightmare. Jules Keegan, a successful magazine publisher, has gathered friends and family for her marriage to Will Slater, a famous television personality. Unfortunately, a violent storm traps everyone on the island, leaving the guests with no way to escape. Then Will turns up dead. A homage to the claustrophobic murder mysteries of Christie, particularly And Then There Were None, while borrowing the snarky sense of entitlement from Knives Out, The Guest List takes "something old, something new" literally. With a murderer hiding among them, the wedding party becomes a pressure cooker. Almost everyone has a reason to despise the groom, and those grudges trace back to something that could destroy Will's reputation. Yet the deeper the investigation goes, the clearer it becomes that the victim's demise feels like a tad bit of karma. Collider Exclusive · Horror Survival Quiz Which Horror Villain Do You Have the Best Chance of Surviving? Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky Five killers. Five completely different ways to die — if you're not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one. 🏕️Jason 🔪Michael 💤Freddy 🎈Pennywise 🪆Chucky TEST YOUR SURVIVAL → 01 Something feels wrong. You can't explain it — you just know. What do you do? First instincts are the difference between the survivor and the first act casualty. ALeave immediately. I don't need to understand a threat to respect it. BStay quiet and observe. If I can see it, I can understand it. If I can understand it, I can avoid it. CStay awake. Whatever this is, I am not going to sleep until I feel safe again. DConfront it directly. Fear grows in the dark — I'd rather know what I'm dealing with. ECheck everything, trust nothing. The threat might be closer than I think — and smaller. NEXT QUESTION → 02 Where are you most likely to find yourself when things go wrong? Setting is everything in horror. Where you are determines which rules apply. ASomewhere remote — a cabin, a campsite, off the grid and away from people. BA quiet suburban neighbourhood where nothing ever happens. Except tonight. CIn my own head — the most dangerous place of all, depending on what's already in there. DWherever children are — because something about this place attracts the worst things. ESomewhere ordinary — a house, a toy store, a place where the last thing you'd expect is a threat. NEXT QUESTION → 03 What is your most reliable survival asset? Every survivor has a quality the villain didn't account for. What's yours? APhysical fitness — I can run, I can swim, I can outlast something that relies on brute persistence. BSpatial awareness — I always know the exits, the hiding spots, the fastest route out. CPsychological resilience — I've faced my worst fears before. They don't have the same power over me. DEmotional steadiness — I don't panic. Panic is what gets you caught. EScepticism — I don't underestimate threats because of how they look. Size is irrelevant. NEXT QUESTION → 04 What kind of fear is hardest for you to fight through? Knowing your weakness is the first step to not dying because of it. AThe unstoppable — something that will not stop, cannot be reasoned with, and is always getting closer. BThe invisible — a threat I can feel but can't locate, watching from somewhere I can't see. CThe psychological — something that uses my own mind and memories against me. DThe unknowable — something ancient, shapeless, that feeds on the fear itself. EThe mundane — a threat so ordinary-looking that no one will believe me until it's too late. NEXT QUESTION → 05 You're with a group when things start going wrong. What's your role? Horror movies are brutally clear about who survives group situations and who doesn't. AThe one who says "we need to leave" first — and means it, even when no one listens. BThe one who stays quiet, watches the others, and figures out the pattern before anyone else does. CThe one who holds the group together when panic sets in — because someone has to. DThe one who asks the questions nobody wants to ask — because ignoring them gets people killed. EThe one who takes the threat seriously when everyone else is laughing it off. NEXT QUESTION → 06 What's the horror movie mistake you're most likely to make? Honest self-assessment is a survival skill. Denial is not. AGoing back for someone — I know I shouldn't, but I can't leave them behind. BAssuming I'm safe once I've found a hiding spot. That's when it finds me. CFalling asleep when I absolutely cannot afford to. Exhaustion is its own enemy. DLetting my curiosity override my instincts — I always need to understand what I'm dealing with. EDismissing the threat because of how it looks. That's exactly what it wants. NEXT QUESTION → 07 What's your best weapon against something that can't be stopped by conventional means? Every horror villain has a weakness. The survivors are always the ones who find it. AThe environment itself — I use the terrain, the water, the geography against it. BPatience — I wait, I watch, and I strike at the one moment it doesn't expect. CLucidity — if I can stay in control of my own mind, it loses its primary weapon. DCourage — facing it directly, refusing to run, taking away the fear it feeds on. EImprovisation — I use whatever's at hand, however unconventional. Creativity over brute force. NEXT QUESTION → 08 It's the final scene. You're the last one standing. How did you make it? The final survivor always has a reason. What's yours? AI kept moving. I never stopped, never hid for too long, never let it corner me. BI figured out the pattern before anyone else did — and I used it against the thing following it. CI stayed awake, stayed lucid, and refused to give it the one thing it needed most. DI stopped being afraid of it. And the moment I did, everything changed. EI took it seriously from the start — and I never once made the mistake of underestimating it. REVEAL MY VILLAIN → Your Survival Odds Have Been Calculated Your Best Chance Is Against…Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck. Jason VoorheesJason is relentless, but he is also predictable — and that is the gap you would exploit. He moves in straight lines toward his target. He doesn't strategise, doesn't adapt, doesn't outsmart. He simply pursues. Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge. The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance. You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected. Michael MyersMichael watches before he moves. He is patient, methodical, and almost impossible to detect — until it's too late for anyone who isn't paying close enough attention. But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound. Michael's power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is. Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had. You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it. Freddy KruegerFreddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised. You are harder to destabilise than most. You've faced uncomfortable truths about yourself and you haven't looked away. The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it. Freddy's greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on. Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here. PennywisePennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it. The Losers Club didn't survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly. You ask the questions others avoid. You look directly at what frightens you rather than turning away. That directness — the refusal to let fear fester in the dark — is Pennywise's worst nightmare. It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all. ChuckyChucky's greatest advantage is that nobody takes him seriously until it's already too late. He exploits the gap between how something looks and what it actually is. You don't have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance. Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone. Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing. Against Chucky, not laughing is already winning. You are very good at not laughing. ↻ RETAKE THE QUIZ 'Sharp Objects' (2006) Image via Crown Sharp Objects begins with journalist Camille Preaker, a troubled reporter sent back to her Missouri hometown to investigate the murder of a young girl and the disappearance of another. Forced to stay with her estranged mother, controlling stepfather, and rebellious half-sister Amma, Camille finds herself confronting painful memories of her sister Marian's death. When the missing girl is found strangled with her teeth removed, Camille realizes the case may hit dangerously close to home. The grotesque murders are only one of the many disturbing elements of Sharp Objects. As Camille races to uncover the killer, she is forced to reckon with the reasons she left Missouri in the first place. The novel is a scathing portrayal of generational abuse and the damage it leaves behind. When trauma is allowed to fester for too long, it cannot remain contained within the household. Instead, it seeps outward, infecting relationships, perpetuating cycles of violence, and leaving destruction in its wake. 'The Silent Patient' (2019) Image via Celadon Books The Silent Patient became a BookTok phenomenon for good reason. Alicia Berenson appears to have the perfect life as a successful painter married to Gabriel, but that illusion shatters when she shoots him five times. Afterward, Alicia refuses to utter a single word and is committed to a psychiatric facility, where years of failed attempts leave the motive behind her silence a mystery. Six years later, psychotherapist Theo Faber becomes convinced he can reach her. The best thrillers are the ones that require reading between the lines. It's even more addictive when readers have absolutely no idea whose version to trust. The Silent Patient is clearly Alicia's story, but it's been six years, and she can barely speak about the incident. A newcomer like Theo comes along, thinking he's got her records straight, but not all strangers are to be trusted so easily. Using short chapters, conflicting accounts, and timed revelations, one can't help but sift through the pages quickly to get to the truth. 'Make Me' (2015) Image via Bantam Press The hit Prime Video sensation Reacher has its origins in Lee Child's novels, which are just as thrilling, if not more so, than the television adaptation. Slated to serve as the source material for Season 5, Make Me is arguably one of the darkest books in the Reacher series. When Reacher arrives in the strange Midwestern town of Mother's Rest, he meets Michelle Chang, an ex-FBI agent searching for her missing private-investigator colleague. Reacher has dealt with illegal arms dealers, ex-military personnel, corrupt security directors, and countless other dangerous criminals, but few villains are as heinous as those in Make Me. The crimes Reacher uncovers are not only larger in scale than what he typically encounters, but the victims are subjected to something particularly deplorable. Still, like any Reacher story, the former military policeman wastes little time getting involved. Once Reacher discovers what is happening in Mother's Rest, he sets out to dismantle the operation and save its victims. Reacher Release Date February 3, 2022 Network Prime Video Cast Maria Sten Frances Neagley Showrunner Nick Santora Directors Omar Madha, Carol Banker, Julian Holmes, Lin Oeding, M.J. Bassett, Norberto Barba, Stephen Surjik, Thomas Vincent Writers Cait Duffy Franchise(s) Jack Reacher Main Genre Action Seasons 4 Producers Derek Rappaport, Aadrita Mukerji, Penny Cox, Agatha Warren Creator(s) Nick Santora Story By nick santora Streaming Service(s) Prime Video Where To Watch Prime Video Executive Producer(s) Nick Santora, Lee Child, David Ellison, Dana Goldberg, Don Granger, Marcy Ross, Scott Sullivan, Paula Wagner, Matt Thunell, Bill Bost, Mick Betancourt, Adam Higgs, Christopher McQuarrie, Alan Ritchson, Thomas Vincent, Seth Cohen, Carolyn Harris, Kenny Madrid, Amy Pocha
7 Thriller Books You Can Finish in a Weekend
Full Article
Original Source
Read the full article at Collider →KhanList aggregates and links to publicly available news content. We do not host full articles from third-party sources. Always verify important information with original sources.