Image via Universal Pictures Published Jul 23, 2026, 1:09 PM EDT Jeremy has more than 2600 published articles on Collider to his name, and has been writing for the site since February 2022. He's an omnivore when it comes to his movie-watching diet, so will gladly watch and write about almost anything, from old Godzilla films to gangster flicks to samurai movies to classic musicals to the French New Wave to the MCU... well, maybe not the Disney+ shows. His favorite directors include Martin Scorsese, Sergio Leone, Akira Kurosawa, Quentin Tarantino, Werner Herzog, John Woo, Bob Fosse, Fritz Lang, Guillermo del Toro, and Yoji Yamada. He's also very proud of the fact that he's seen every single Nicolas Cage movie released before 2022, even though doing so often felt like a tremendous waste of time. He's plagued by the question of whether or not The Room is genuinely terrible or some kind of accidental masterpiece, and has been for more than 12 years (and a similar number of viewings). When he's not writing lists - and the occasional feature article - for Collider, he also likes to upload film reviews to his Letterboxd profile (username: Jeremy Urquhart) and Instagram account. He has achieved his 2025 goal of reading all 13,467 novels written by Stephen King, and plans to spend the next year or two getting through the author's 82,756 short stories and 105,433 novellas. Sign in to your Collider account Even if you don’t live in the U.S., you’ve probably heard of the R-rating, which is given to movies that are intended to be for adult audiences… at least most of the time. To see an R-rated movie without supervision, you're supposed to be at least 17 years old, which is distinguished from the rating below R, which is PG-13, where it’s recommended that viewers are at least 13 years old. It’s worth mentioning the PG-13 rating because when it comes to the following R-rated movies, they probably could've – or even should’ve – gotten a PG-13 rating. Most are at a similar level to the likes of Casino Royale, Drag Me to Hell, or Beowulf, as far as content goes (and all those were PG-13), and some are arguably less intense/inappropriate. These are some of the mildest R-rated movies of all time, and they – at worst – ride the line between PG-13 and R. 10 'Eighth Grade' (2018) Image via A24 It’s tricky making coming-of-age movies, sometimes, because kids and young teenagers can be potty-mouthed, because swearing feels cool and rebellious when you're a certain age. Movies and shows can avoid having kids dropping F-bombs (see Stranger Things), or there are ones about younger characters that aren’t necessarily aimed at young kids (like Stand by Me). Eighth Grade is another that kind of fits into that camp, but it’s fairly gentle and strongly empathetic to the main character (an eighth grader, unsurprisingly), all in a way that would probably benefit kids who are around her age to actually watch. Nothing discussed here is that extreme, compared to how you might remember kids around you talking when you were around the eighth grade, but less than half-a-dozen F-words (and maybe one or two emotionally intense scenes on top of that) were enough to give it an R-rating in America. And that is unfortunate, because there’s a lot here that feels like it would be helpful to younger audiences, and it handles all that in a way that doesn’t feel preachy (also a positive, since kids and teenagers obviously don’t respond well to being talked down to). 9 'Army of Darkness' (1992) Image via Universal Pictures Of the three Sam Raimi-directed Evil Dead movies, Army of Darkness is easily the mildest, to the point where it feels like a bit of a stretch to even call it a horror movie. The Evil Dead (1981) was straightforward horror, and gnarly enough to get the rating above R: X (which was later reclassified to the new equivalent of “X,” NC-17). Evil Dead II wasn’t quite as gruesome, but was still blood-drenched, as a horror/comedy film. Army of Darkness is an all-out comedy, with some fantastical/supernatural elements that are never particularly scary. And then Army of Darkness is an all-out comedy, with some fantastical/supernatural elements that are never particularly scary. There isn't much here that’s profane or overly raunchy, and the level of violence is toned down considerably, and far from realistic, too. If you look at later Sam Raimi movies, the likes of Drag Me to Hell and even Doctor Strange in the Multiverse of Madness are both PG-13, but feel (arguably) more violent than Army of Darkness. 8 'J. Edgar' (2011) Image via Warner Bros. Sure, with J. Edgar, it’s not really the kind of movie that one could imagine too many teenagers being interested in seeing. Hell, even if you're an adult, and interested in the life of J. Edgar Hoover, and American history in the 20th century more broadly, J. Edgar still might not really do it for you. It’s not a great movie, and Clint Eastwood has definitely directed better, but at least some of the performances are good, and there is effort put into it, for what that might be worth. Regarding its content, though, it really doesn’t feel like it pushes beyond the bounds of the PG-13 rating. There’s some partly intense thematic content here, and Hoover’s sexuality is also touched upon, but without anything graphic. The violence isn't too wild, and justified by a historical context, in any event, and then the “brief strong language” the film’s officially rated R for isn't any stronger than what you can find in most PG-13 movies (look at something like The Social Network, which had more by way of swearing and sexual content, but was rated PG-13). 7 'The Texas Chain Saw Massacre' (1974) Image via Bryanston Distributing Company Yes, The Texas Chain Saw Massacre has a very violent-sounding title, but this original movie in the whole series/franchise is actually surprisingly mild, as far as violence is concerned. There isn't as large a body count as you might expect, and the deaths that do happen during the film are rarely shown in gory detail, happening off-screen, or being partially obscured. The scares here come more from what’s implied and the overall intensity of the film, with gore not really being needed to make The Texas Chain Saw Massacre as scary as it is. If you look at other movies made during the 1970s, also belonging to the horror genre, something like Jaws is technically bloodier and gorier, and that got a PG rating upon release (which is light, but this was in the days before the PG-13 rating). 6 'Grand Piano' (2013) Image via Paramount Pictures Grand Piano has a great premise that it almost sustains – and builds on – for a feature-length runtime, even if it’s on the shorter side of things, as far as feature-length films go. It’s about a pianist performing on stage, and his nerves are worsened when he learns that there’s a sniper watching him perform, and that sniper claims he’ll shoot the pianist, on the spot, should he play a wrong note. It’s the kind of thing that would make for one hell of a short film, but stretched out as long as it is, it makes for one, like, heck of a feature film. The intensity here is of a psychological nature, with the violence being infrequent and mild, and a few F-bombs being the main reason for the R-rating (not enough to feel genuinely profane, or profanity-packed in a way that feels even close to gratuitous, considering the stressful premise and all). 5 'The Blues Brothers' (1980) Image via Universal Pictures The violence in The Blues Brothers is very cartoonish, and very little of it’s even inflicted on people. The two main characters do engage in a quest (or mission from God) that has them making multiple enemies, but when things get explosive, it’s cars and various buildings – and other things in the environment – that get torn apart and obliterated, rather than people. That leaves the profanity, and The Blues Brothers does have a few F-bombs, but not all that many, considering once your movie’s rated R, you can have characters dropping that word pretty much as often as you want. The Blues Brothers is restrained, in that department, and then very little of the violence or humor feels too extreme for even younger viewers, making it very approachable – and genuinely close to family-friendly – by the standards of R-rated cinema. 4 'The Frighteners' (1996) Image via Universal Pictures Before 1996, Peter Jackson had certainly directed movies that well and truly earned their R ratings. If you look at something like Dead Alive (AKA Braindead), there’s an argument to be made that it’s violent beyond the bounds of the R rating. But The Frighteners is fairly gentle, more in line with the content that you can find in The Lord of the Rings, or even a little milder than that trilogy Jackson went on to direct post-1996. It’s an underrated one overall, too, so it might well have been the case that the more restrictive rating hurt its chances of getting the kind of attention it deserved. There’s some supernatural violence and general chaos here, but nothing too extreme, with it being honestly somewhat hard to imagine the content in The Frighteners proving genuinely upsetting or nightmare-inducing to anyone who’s not a very young child. It's at about the same level as Ghostbusters, content-wise. 3 'The Odyssey' (2026) Arguing that The Frighteners was something possibly affected by an R-rating becomes a little harder once you look at something like The Odyssey, because, at the time of writing, it’s doing well financially, and its R-rating seems to be doing little to stop people from seeing it. There are three F-words here that one can imagine could've been edited out quite easily, and then some fantasy violence that’s never too extreme. You can compare it, once more, to The Lord of the Rings, which had some limbs being hacked off (briefly) and a few decapitations, and the Cyclops scene in The Odyssey doesn’t show much worse than that, and it also hides a lot of the gore with the darkness. Some of the more “realistic” battle violence is intense for sure, and there are brief blood spurts at some points, but it’s really not that graphic. It does feel like The Odyssey was shot with a hard PG-13 rating in mind, and then it got an R-rating, but no one really objected to it. And then it’s gone on to get, one would assume, the number of eyeballs on it that it would've had if it had gotten a PG-13 rating anyway. 2 'The Matrix' (1999) Image via Warner Bros. The Matrix (as in the first one) has a lot of people getting punched, kicked, and shot at, yet nothing in it is especially bloody or upsetting, as far as on-screen violence is concerned. The combat is heightened, and the sci-fi element of the film also mitigates the intensity a little. But if you didn’t have those things in the first place, The Matrix would still stand out for being pretty bloodless, for the most part. As far as the first movie is concerned, there’s also no real sexual content, and people don’t swear, so the violence is the main reason it was rated R. This is another instance where there are action movies with a PG-13 rating you probably wouldn’t mind showing to younger viewers before you showed them a few movies with genuine PG-13 ratings (see, again, Casino Royale, which is brutal at times and also shows its violence in a way that feels very realistic). 1 'The King's Speech' (2010) Image via Paramount Pictures This is the holy grail of R-rated movies that shouldn't have been R-rated, because The King’s Speech is a very gentle (maybe even too gentle) historical drama about a king trying to overcome his speech impediment. Part of his therapy involves swearing to try and inspire confidence and passion in his speaking, since he seems to be able to swear – drawing on more forceful emotions – without stuttering. So, the swearing is, quite literally, therapeutic, and even if he’s saying words that are technically bad words, he’s saying them for a good reason, and he’s also not directing them at anyone, or using such words offensively, so they more or less cease to be bad words, in that context. But America’s MPA (previously the MPAA) cares little for context, so The King’s Speech, in the U.S., has the same rating as Pulp Fiction, The Wolf of Wall Street, and Scarface. Seriously, what the [REDACTED]? Oh, yeah. American website. Can’t swear here either. This is America. Don't catch you slipping now.
10 Mildest R-Rated Movies of All Time
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